Movie Review: ZOMBIELAND
Rule #34: See this film immediately
Zombieland, and I mean this in the most admiring way, is a fast-food movie. Just as Super-Sonic Cheeseburgers aren’t wolfed down for their nutritional value, Zombieland is mindless fun: it’s hilarious, winks at the audience continually, and takes well-deserved shots at the now-established traditions of zombie flicks.
No where are these shots more obvious than in Columbus’ (Jesse Eisenburg) rules for survival (“Rule #1: Cardio” – as scenes of fat guys being chased down by zombies are played). Throughout the film, Eisenberg’s rules are displayed on screen as those who fail to follow the rules end up as human tartare for the zombies. The gore of these kills, though, is more cartoonish than frightening, and only serves to elevate the humor of the film. Dispatched zombies (of which there are plenty), are always accompanied by satisfyingly large splatterings of blood and bile as it’s vital not to forget Rule #2: the Double Tap.
Batter up!
The plot (okay, the term is used a bit loosely here) of the movie centers around Eisenberg’s milquetoast, who is attempting to make his way back to his hometown (Columbus) to see if his parents are still alive. This journey is interrupted by Tallahassee (a screamingly funny Woody Harrelson), a man with two drives in life: revenge against zombies and a quest to find Twinkies. These two later take up with two other survivors, Wichita (Emma Stone) and her 12 year old sister Little Rock (Abigail Breslin). The city names are references to their hometowns, as Tallahassee wishes to avoid any emotional attachment (which, in the movie’s only truly sentimental moment, is revealed why later). The four end up traveling together to California to search for zombie-free areas.
The cast of Zombieland
So much of the fun of the movie is seeing the relationship develop between Tallahassee and Columbus, as their back and forth bantering and antagonization of each other reveals real comic timing. But, of course, the true hilarity of the film comes with the creative zombie deaths – look for the “Zombie Kill of the Week” performed by a nun with a piano. And a certain movie star’s cameo is inspired (don’t look at imdb’s credits if you want to be surprised).
At a running time of just about an hour and a half, Zombieland never has a chance to go stale, and remains pitch perfect in its blend of humor and horror. But don’t be fooled: this movie is first and foremost a comedy, and the frights only serve to set up the reactions from the film’s players. If you’re looking for a post-apocalyptic film with a message, wait for Cormac McCarthy’s The Road. If you want some fries with your zombies, though, Zombieland‘s being served at a theater near you.
